The yellow fairy book Andrew Lang Books
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
The yellow fairy book Andrew Lang Books
“The Yellow Fairy Book,” published in 1894, is the fourth of twelve collected fairy story books that were researched, translated and compiled by Andrew Lang (1844-1912) and his wife, Leonora Blanche Alleyne Lang, Andrew Lang, a Scotsman, was a literary critic, novelist, poet, and a contributor to the field of anthropology,Hans Christian Andersen is a heavy source for these collected stories, but also includes tales from Poland, Russian, Germany, France, Hungary, Ireland, England, American Indians, and the Grimm Brothers.
Included are “The Story about a Darning-Needle,” “The Story of the Emperor’s New Clothes,” “The Flying Ship,” “The Swineherd,” plus many more. These are the refreshingly original versions, in all their straightforward, sometimes violent, glory. Not all fairy tales are the sappy sweet rewritten Disney rip-off versions; that’s phony. These are real.
Some of these stories a quick reads due to the brevity of the tale, some have archaic writing styles, and some just don’t make any sense in the way they end. However, they all are delightful in their own ways
All in all, I do recommend this book for literary and psychological research and analysis, and just for the fun of it, if you are so inclined.
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The yellow fairy book Andrew Lang Books Reviews
In the late 19th century, historian, scholar, and anthropologist, Andrew Lang, began publishing collections of fairy tales from around the world. The first volume was `The Blue Fairy Book' published in 1887. Lang was not a true ethnologist, like the German Brothers Grimm. He was far more the `translator' than collector of tales from the source, stories transcribed from being told by people to whom the tales were passed down by word of mouth. In fact, many stories in his first volume, such as Rumpelstiltskin; Snow White; Sleeping Beauty; Cinderella; and Hansel and Gretel were translated from Grimm's books of fairy tales. Some of his `fairy tales' were even `copied from relatively recent fantasy fiction, such as A Voyage to Lilliput, the first of the four episodes in Jonathan Swift's Gulliver's Travels.
My inspiration for commenting Lang's series of fairy tale books is for the sheer quantity of tales, the wonderful woodcut illustrations, some few of which may have become almost as popular as the tales (although not quite in the same league as Sir John Tenniel's illustrations for Lewis Carroll's great fantasies), and the fact that I had these when I was young.
With twelve of these books, with between 30 and 36 stories in each book, this gives one about 400 different stories. If I were to recommend anything as standard equipment at a grandparents' house, it would be a complete set of these books.
Needless to say, there are a few `warnings' to accompany books assembled over 100 years ago. You will encounter a fair number of words with which even an adult may be unfamiliar, let alone a five year old. For example, on the second page of The Princess Mayblossom in The Red Fairy Book, a character puts sulfur in a witch's porridge. This requires at least three explanations. What is sulfur, what is porridge, and why is sulfur in porridge such a bad thing. More difficult still is when a prince entered the town on a white horse which `pranced and caracoled to the sound of the trumpets'. In 19th century London, caracoling (making half turns to the right and the left) was probably as common and as well known as `stepping on the gas' is today. But, if you're a grandparent, that's half the fun, explaining new words and ideas to the young-uns.
There is another `danger' which may require just a bit more explanation, although in today's world of crime dramas on TV, I'm not sure that most kids are already totally immune to being shocked by death and dead bodies. In these stories, lots of people and creatures get killed in very unpleasant ways, and lots of very good people and creatures suffer in very unpleasant ways. It's ironic that the critics in Lang's own time felt the stories were 'unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age'. The success of a whole library of Walt Disney feature length cartoons based on these stories is a testament to how well they work with children. But do be warned, Uncle Walt did clean things up a bit. Lang's versions hold back on very little that was ugly and unpleasant in some of these stories.
The down side to the great quantity of stories is that even when some come from very different parts of the world, there is a remarkable amount of overlap in theme, plot, and characters. But by the time you get to another story of a beautiful young girl mistreated by a stepmother, it will have been several month since you read Cinderella or the Little Glass Slipper in The Blue Fairy Book. The other side of the coin is that you can play the game of trying to recall what that other story was with a similar theme.
There is one very big word of caution about buying these books through or a similar on line outlet. I stopped counting when I got to twelve different editions of The Blue Fairy Book, or a volume including several of these books. Not all of these editions have the original woodcuts and even worse, not all have a table of contents and introduction. The one publisher which has all twelve volumes is by Dover. Other publishers, such as Flying Chipmunk Publishing (yes, that's it's name) also have all the original illustrations, table of contents, and introduction, but I'm not certain that publisher has all twelve volumes. Dover most certainly does, as I just bought all twelve of them from .
While I suspect these stories may have been `old hat' for quite some time, it may be that with the popularity of Lord of the Rings, the Narnia stories, and the Harry Potter stories, all of which have their share of suffering and death, that these may be in for a revival. Again, the main attraction is that for relatively little money and space, Grammy and Grandad get a great resource for bonding with children.
This is yet another fine collection of faerie tales, many of them not really known all that well by the world, but are fun to read and interesting. This is perfect for anyone who likes fairy tales. I myself like seeing compassion and justice rewarded in Faerie, and seeing evil punished. And, furthermore, it has got the true magic of Faerie, a realm that has touched our hearts and imaginations...and shall no doubt continue to have many brave explorers to venture into it, and uncover more and more, of many things never seen before. I know, because I like using my own imagination a lot, and it is books like this that not only help me in that endeavor, but also inspire me to create. But please buy the Dover's edition-it has the illustrations, preface, and quality paper, unlike the cheap and weak editions of this book. I hope all who read this shall have fun as I did! Go for it! Buy this!!!
The Yellow Fairy Book contains 48 tales, if I counted correctly. This collection contains two very well known tales in Thumbelina and the Emperor's New Clothes, a personal favorite of mine. There is also my wife's and most girls favorite How to Tell a True Princess. Many might not recognize it by this title, but if I told you that it involved a princess, a bunch of mattresses, and a pea, you would immediately know the story. In fact, I know a few people who tried this very test when they were little. Unfortunately, none of them turned out to be princesses. Within this book, there are also Polish tales like The Glass Mountain and French tales like The Wizard King. Not all the tales are happy. Though, one should never expect them to be. But each are enchanting and expose you and your children to different cultures and different takes on familiar tales.
If you are a fan of fairy tales, this series is for you. The books are wonderfully constructed, and the vibrant dust jackets stand out on your shelf and make for a beautiful collection. I hope they will continue to publish these wonderful books until my collection is complete. Judging by the previous release schedule, there should (emphasis on should) be another two put out at the end of this year or beginning of next year, and they would be the Pink and Grey books. Until then, remember that if you like tangible books and want good books like this to continue to be available in print, then you have to support smaller publishers like Hesperus Press.
“The Yellow Fairy Book,” published in 1894, is the fourth of twelve collected fairy story books that were researched, translated and compiled by Andrew Lang (1844-1912) and his wife, Leonora Blanche Alleyne Lang, Andrew Lang, a Scotsman, was a literary critic, novelist, poet, and a contributor to the field of anthropology,
Hans Christian Andersen is a heavy source for these collected stories, but also includes tales from Poland, Russian, Germany, France, Hungary, Ireland, England, American Indians, and the Grimm Brothers.
Included are “The Story about a Darning-Needle,” “The Story of the Emperor’s New Clothes,” “The Flying Ship,” “The Swineherd,” plus many more. These are the refreshingly original versions, in all their straightforward, sometimes violent, glory. Not all fairy tales are the sappy sweet rewritten Disney rip-off versions; that’s phony. These are real.
Some of these stories a quick reads due to the brevity of the tale, some have archaic writing styles, and some just don’t make any sense in the way they end. However, they all are delightful in their own ways
All in all, I do recommend this book for literary and psychological research and analysis, and just for the fun of it, if you are so inclined.
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